Review: "iridescence"

Since its formation in 2015, BROCKHAMPTON has risen to prominence in the hip hop communi- ty. The self-proclaimed boy band incorporates a unique mix of rap, singing and other elements in their music. Their latest release,“iridescence,” is their fourth studio album. It is their first album without former vocalist Ameer Vann, who departed the group amid an abuse controversy.

“iridescence” comes off with a more matured sound than previous works, and Vann’s departure does not noticeably hinder the quality of the songs. Around half the songs are focused on being harder, more grimy, trap-esque bangers, with others having a more melodic feel. For instance,“TONYA” involves lots of sung vo- cals by various members, interspersed with rap verses, with the whole piece being set to a piano and strings instrumental. “HONEY”features a strong, bass-heavy beat with some distorted vocals and Dom McLennon delivering a fast and complex verse. “J’OUVERT” im- plements angry rapped vocals with a rousing beat, a contrast to the more melodic tracks, such as “WEIGHT,”which interchanges synth and violin accents with fast paced rap verses and a frenetic beat. “SAN MAR- COS” includes distorted, droning vocals and an electric guitar instru- mental, ending in a sung chorus. At times, the jarring instrumentals on some songs can get old, which in a way gives even more value to the melodic works on the album, but also makes the album somewhat uneven. However, the transitions are smooth and the album has an overall cohesive sound. The melodic tracks are where this album shines, and these are the songs that will give the album its longevity.

Rating: 4/5 Anchors

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